Touching the Perfect “Noir de Flandres”: a visitor’s experience at the Museum...
By V.E. Mandrij The colour black is the reason why I became an art historian specialising in Netherlandish oil painting. From the backgrounds of 17th-century still-life paintings, to nocturnal...
View ArticlePowerful Bundles: The Materiality of Protection Amulets in Early Modern...
By Eveline Szarka If you shop around for a protection amulet today, you will most likely stumble upon ornamental jewellery. More often than not these pieces are round in shape, and pieces featuring...
View ArticleCherries Galore in a Cesspit
By Merit Hondelink As an archaeobotanist, an archaeologist specialised in studying plant remains found in archaeological excavations, I aim to reconstruct and interpret the relationships between humans...
View ArticleRemembering Terry Turner (1929-2019): Pharmaceutical History Collector...
By Laurence Totelin, with input from Briony Hudson A few years ago, my colleagues Heather Trickey (social sciences), Julia Sanders (midwifery) and I decided to put together a small exhibition on the...
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